Studies In Folk-song And Popular Poetry

An Extensive Investigation Into The Sources And Inspiration Of National Folk Song

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42         FOLK-SONGS OF THE CIVIL WAR.
those which were provided as a matter of profes­sional business by the minstrels of the popular stage, who reflected the pervading sentiments of the time, and colored their rude comedy and cheap pathos with the thoughts and feelings aroused by the war.
Thousands of these street songs were issued, to have their temporary vogue and disappear. The principal publisher of the penny sheets was H. de Marsan, 34 Chatham Street, New York, and he ap­pears to have had almost a monopoly of the trade. They were printed on coarse paper, with an emble­matic border in colors representing the American flag, and with a soldier and sailor under arms. Some of the more successful songs were copyrighted and published with their music, but this appears to have made little difference to the enterprising Chatham Street publisher, for he included almost everything that was singable, old Revolutionary ballads, English naval songs, and some of the more finished American poems of the war, as well as Ethi­opian melodies, and ballads obviously of original contribution. It would be interesting to know whether he kept a staff of poets, like Jemmy Cat-nach of Seven Dials, or whether, as is most proba­ble, he simply took what he could find, and con­ferred the honors of print, without remuneration, upon voluntary contributors. The most numerous
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